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Wednesday, March 15th 2006

01:34:14 PM

Music Is My Life


As I toured across Canada and the USA with Ernie Smith, on many occasions at the end of each gig, I was instructed to return to the hotel. I found this very upsetting, because they were usually on their way to some after-party event. I couldn’t help feeling left out.
I was often reminded that I was only an apprentice. And had to pay my dues. I took advantage of their absence to take Ernie’s guitar to my room and teach myself to play.
This went on for some time; I endured the pain and burning in my fingers as I attempted to develop my skills as a guitar player. I practiced in secret to avoid ridicule from the other band members. No one knew of my desire to become a big time, front-line guitarist.
As time went buy my secret became exposed to two members of the band, who were very instrumental in helping me developed.
On this occasion we were in Quebec City Canada, as the band was instructed to start Ernie was nowhere in sight, we were faced with a dilemma to perform without Ernie.
All eyes were now on me as I strapped on his guitar. The bass player then called some cords to a song he was going to sing. The house was filed with reggae and rasta lovers who started to scream as we played. About half way through the song I saw Ernie in the audience looking at us in amazement. As the song ended Ernie rushed to the stage and took his guitar. He wanted to know when, where, and how I had learned to play the instrument so well.
My title as apprentice was about to quickly vanish!

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Saturday, March 20th 2004

12:46:39 PM

My Story

 

THE MUSIC BUSINESS IS DIFFICULT TO ENTER IF YOU DO NOT HAVE A BAG OF MONEY OR POWERFULL CONTACTS. IT IS LIKE THE BIBLICAL CLASH BETWEEN DAVID AND GOLIATH. THE INDEPENDENT MUSICIAN WHO WANTS TO SELL THEIR MUSIC FACES AN UPHILL BATTLE.
ON ONE OCCASION MY GUITAR WAS STOLEN IN DALLAS AND I WAS UNABLE TO WORK. I HAD NO OTHER SOURCE OF INCOME! I HAD IN A BOX ONE THOUSAND COPIES OF MY ALBUM "GIVE JAH THE PRAISE". I TRIED TO GET THE LOCAL RECORD RETAILERS TO PLACE IT IN THEIR STORES. THE BIG CHAINS SAID "NO" BECAUSE I DID NOT BELONG TO ANY ESTABLISHED RECORD COMPANY. A FEW OF THE SMALLER STORES WOULD AGREE TO PLACE MY MUSIC IN THEIR STORE BUT ONLY ON THE BOTTOM SHELF! I BECAME ACUTELY AWARE THAT THE INDEPENDENT ROUTE, WHERE THE ARTIST IS IN CONTROL, WAS NOT GOING TO BE AN ESAY ONE.

 

 

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Saturday, March 13th 2004

09:28:31 AM

A Cry For Love,Unity,Peace

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The I and I sounds of JAH RASTAFARI are turning many Torontonians onto
some new vibrations. One of the premiere Reggae bands on the Toronto
scene is ;Bloodfire, so-callcd because of "a passage in the Book
of Revalations which suggests that the name "Bloodfire" be
applied to mnusicians whose music is a constant and pure burning that
melts down the boundaries between man and man, between past and future, and
unites all those that standnear its flame"

The band believes that; the name Bloodfire is not intended to intimidate anyone, the name should
encourage the listeners to; unload the cares of the everyday and open their
minds to endless possibilities Compass works hard to bring you the best possible trips for your rugged lifestyle. Here you'll find our latest travel packages suited for the adventurous spirit.

The Clarion recently interviewed the band members in an attempt to
better understand this electrifying music. The following is a summary of the
interview.....
" Reggae music is a derivative of mento music, the music
of the "elders", then came Ska, then Rock Steady. The band believes that
Reggae is the last music, it is music in its purest form, therefore
there are no further changes to be made. There is nothing to add or
subtract. Reggae is THE music, belonging to the World. The edict given to the
players of Reggae music is to educate the people, unmask wrong doers, and speak
the truth. The pure love of Reggae is visible when these talented , spiritual
musicians let loose on stage, delivering the sweetest lesson in musical
brilliance.

TIle five members of the band, Clive Ross
(bass, drums, vocals), Tony Nicholson, (rhythm guitar, congas, vocals),
Wally Morgan (drums, bass, vocals), Bunny Cunningham (keyboards, vocals),
Paul & nbsp; Corby (lead guitar, congas, vocals), aided by thcir light and sound
man Michael Barclay let loose a spiritual music which asks all who listen to
alter their perspective, to see the world through new eyes, to beware of Babylon
and to go forth righteously in these times;of tribulation. A
cry for love, a cry for ;peace. Reggae, brings to you a live and
pulsating beat

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Friday, March 12th 2004

04:28:08 AM

My Struggle With Rasta And Reggae

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My struggle with Rasta and Reggae music have been tightly interwoven through the fabric of my life. As a young man, entering adulthood, there was strong opposition to me taking up the Rasta Faith. My family tried to get me to cut my hair and go to Catholic Mass! They also tried to get me to forget music and concentrate on a nine-to-five job. As far as I was concerned they might as well ask me to walk on hot coals! No way was I about to give up my Faith or my love of music. There was not other alternative, I had to leave and be myself. I fled the family ties and migrated to Canada, where I was free to outwardly manifest my belief. It was there, far away from home that I put on my Dreadlocks and persued music full time. I had countless dreams of being a musician and that has been all I have ever wanted to do as far back as I can remember. Anyone who made the decision to follow Rastafari in those days exposed themselves to descrimination and redicule. Many were disowned by their parents and family.

JAH has been my strength and comfort. I am determined and will never give up any one of my true loves, neither Rastafari nor Music!..............One Love.

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Thursday, March 11th 2004

02:35:39 PM

When I Was A Boy

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I was born and raised in Kingston Jamaica. We lived five minutes away from "Studio One", the first Recording Studio ever operated in Jamaica. My sister and I had to walk past this studio twice a day on our way to and from school. We would have to take the bus from Cross Roads to Half-Way-Tree. On our daily journey we would notice a long line of musicians and singers hoping to be noticed and perhaps get their "big break" There were all sorts of people hanging around, some were ligitimate others were only looking for an easy victim to rob. One day, while on our usual trip past "Studio One", I felt a hard, sharp implement pushing into my side, I was to be the next victim, the object was a knife and the holder was after my lunch money. This was not a rare occurance, we were frequently parted from our money. Imagine not having any money to get on the bus and having to walk to and from school. Also imagine being at school all day with nothing to eat or drink because some criminal took your money. On one occasion we even got punished by my mother because we got home late as we had to walk home. Later on in life I realized that these people were poor and probably hungry. The phrase "starving artist" comes to mind, they would stand in the hot Jamaican sun with no food or water waiting to get their chance at the big life. Those who wer e noticed would sell their song to Studio One for ten pounds, and even if that song became a hit record that was all they got! As time went on I became well known among the artists and the people at Studio One, this spared me from further robberies and I was allowed to walk in peace. Studio One was owned by the Coxsone,family and Mother Coxsone, soon noticed me. She would give me "test pressings" which were warped and of no use to them. I would hurry home to play them. This was the beginning of my love for and facination with music and the music business. After twentysix years in the music business I am able to understand the hardships those artists faced. It was even more difficult for these pioneers as there were no other studios to go to. They had no choice but to stand and wait and take whatever price was offered for their work.
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Thursday, March 11th 2004

11:26:26 AM

Bob Marley

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 The Caribbean island of Jamaica has had a far greater impact on the rest of the world than one would expect from a country with a population of under three million.

In the seventeenth century, for example, Jamaica was the world centre of piracy. From its capital of Port Royal, buccaneers led by Captain Henry Morgan plundered the Spanish Main, bringing such riches to the island that it became as wealthy as any of Europe's leading trading centres. In 1692, four years after Morgan's death, Port Royal disappeared into the Caribbean in an earthquake. Such a karmic sense of poetry is Jamaica.

A Rebellious Spirit
A piratic, rebellious spirit has been central to the attitude of Jamaicans ever since. This is clear in the lives of Nanny, the woman who led a successful slave revolt against the English redcoats in 1738; of
Marcus Garvey, who became the first prophet of black self determination in the 1920s, founding the Black Star shipping line, intended to transport descendants of slaves back to Africa; and of Bob Marley, the Third World's first superstar, with his musical gospel of love and global unity.

Jamaica was known by its original settlers, the Arawak Indians, as the Island of Springs. And it is in the high country that Jamaica's unconscious resides: the primal Blue Mountains and hills are the repository of most of Jamaica's legends, a dream-like landscape that provides ample material for an arcane mythology.

It was here, to the safety of thse impenetrable hills, that bands of former slaves fled, after they were freed and armed by the Spanish to fight the English when they seized the island in 1655. The Maroons, as they became known, founded a community and underground state that would fight a guerrilla war against the English settlers on and off for nearly eighty years.

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